Rainie Oet

published work

 

some favorites you can read online

The Room Divider” - Puerto Del Sol 2019 Poetry Contest Winner (from an unpublished manuscript titled Fast Fire)

The Playground is Alive” - Strange Horizons (2022, poetry)

We of the Water Chambers” - Press 53 Flash Fiction Contest Winner (2018)

On the Table with the Half-Eaten Birthday Cake” - The Rupture (2019, prose poem from Glorious Veils of Diane)

other published work (abridged)

The Adroit Journal, 2012 and 2014 (poetry), and 2021 (review)

Bamboo Ridge, 2022 (poetry)

Barrelhouse, 2021 (review)

Bat City Review, 2019 (translation)

Bennington Review, 2019 (poetry)

Big Muddy, 2019 (poetry)

Blackbird, 2019 (translation)

Boulevard, 2019 (poetry)

Cimarron Review, 2020 (translation)

Colorado Review, 2017 (poetry)

The Collagist (AKA The Rupture), 2019 (poetry)

Cosmonauts Avenue2018 (creative nonfiction) and 2021 (poetry)

Cream City Review, 2013 (poetry)

Denver Quarterly, 2019 (poetry)

Driftwood Press, 2019 (1) and 2019 (2) (poetry)

The Forge Literary Magazine, 2019 (creative nonfiction)

Fugue, 2013 and 2019 (poetry)

Harpur Palate, 2013 (poetry)

Hayden's Ferry Review, 2018 (graphic narrative)

Hobart, 2018 (1, graphic narrative) and 2018 (2, poetry and art)

Indiana Review, 2019 (poetry)

Jet Fuel Review, 2012 (poetry)

The Journal, 2019 (poetry)

jubilat, 2019 (poetry)

Juked, 2013 (poetry)

The Los Angeles Review, 2020 (fiction)

Michigan Quarterly Review, 2019 (translation)

Mid-American Review, 2019 (poetry)

Minnesota Review, 2019 (translation)

The Monarch Review, 2013 (poetry)

Muzzle Magazine, 2012 (art)

Nashville Review, 2018 (translation)

The Offing, 2019 and 2020 (translation)

OmniVerse, 2020 (poetry)

Outlook Springs, 2019 (creative nonfiction)

Palette Poetry, 2019 (poetry)

Phoebe, 2019 (poetry)

The Poetry Review (UK), 2016 (1), 2018 (2), and 2020 (3) (poetry)

Radar Poetry, 2019 (poetry)

Redivider, 2013 (art)

RHINO Poetry, 2019 (1: translation) and 2019 (2: poetry)

Ruminate, 2018 (poetry)

Salt Hill, 2021 (review)

Shenandoah, 2019 (graphic narrative)

So to Speak, 2012 (poetry)

Sugar House Review, 2012 (poetry)

Superstition Review, 2011 (art)

Storm Cellar, 2019 (poetry)

Sycamore Review, 2018 (poetry)

Territory, 2019 (hybrid poetry and art, co-created with Ariel Chu)

Waxwing, 2018 (translation)

Wigleaf, 2019 (poetry / micro fiction)

The Yale Review, 2018 (fiction)

Yemassee, 2011 (poetry)

 
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